There are also reward tiers that allow backers sign up for eight subscription boxes with swag themed around Sanderson’s existing worlds or concepts. Those who back the Kickstarter will receive one new book for each quarter in 2023 in the format of their choice. Image: Steve Argyle, Howard Lyon, and Geoff Shupe/Dragonsteel Entertainment via Kickstarter Designs are not final, according to the Kickstarter campaign.

They’re each full length, with three in his existing Cosmere setting, and one that’s “completely different,” Sanderson says in the Kickstarter campaign’s opening video. The secret novels do not yet have names - the Kickstarter includes a mockup image, where the books are entitled “Secret Project #1,” “Secret Project #2,” and so on. It is well on its way to shattering fundraising records on the platform. The campaign “ Surprise! Four Secret Novels by Brandon Sanderson,” run by his parent company Dragonsteel Entertainment, brought in more than $15 million in its first day. On Tuesday, Sanderson launched a Kickstarter to fundraise for four novels that he secretly wrote over the past two years.

But in Sanderson’s case, there’s no gatekeeper to blame.Fantasy and science fiction author Brandon Sanderson has become a household name thanks to his prolific output, and he’s been very busy lately. There’s nothing like the announcement of a fat book advance to set other writers grumbling in protest, whether the jackpot winners are Michelle and Barack Obama, who landed a staggering $65 million deal for two books in 2017 or such unsavory figures as right-wing provocateur Milo Yiannopoulos, whose relatively modest $250,000 contract with Simon & Schuster caused enough uproar that the book was eventually canceled earlier the same year.īut the announcement today that fantasy novelist Brandon Sanderson’s Kickstarter campaign to fund the publication of four books had surpassed $20.8 million to become the platform’s most richly funded project to date presents an unusual challenge for critics of how publishing values books.* Conservatives could complain that an overwhelmingly liberal industry had drastically overestimated the popularity of the Obamas and progressives could complain that a company like Simon and Schuster showed terrible judgment in promoting and lining the pockets of a troll like Yiannopoulos.

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